《和而不同》系列 Harmony in Diversity

媒介：数绘摄影
尺寸：71 x 122 cm
创作年代：2016-2017
“和而不同”系列可以被视为“昨夜西风”系列的变体，傅文俊将胡杨树的照片替换为西方经典雕塑和中国历代名画的叠加。于是，自然与文化的对话，就演变成为中西文化的对话。追求完美形体的西方雕塑与崇尚虚灵气韵的中国绘画，代表两种全然不同的审美理想，但是当傅文俊将它们叠加起来的时候，却没有丝毫违和之感。傅文俊以自己特有的方式，诠释了和而不同。和而不同是中华文明赖以长盛不衰的智慧，今天也只有它才能解开文化多样性与文明冲突之间的死结。
——彭锋：北京大学艺术学院教授、2011年威尼斯双年展中国馆策展人。

Media: Digital Pictorial Photography
Size: 71 x 122 cm
Year of Creation: 2016-2017
The Harmony in Diversity series can be seen as a variation of the A Wind from Yesterday series, in which Fu Wenjun replaces images of poplar trees with overlays of classical Western sculptures and renowned Chinese paintings from various dynasties. In doing so, the original dialogue between nature and culture evolves into a deeper conversation between Eastern and Western cultural traditions. Western sculpture, with its pursuit of idealized form, and Chinese painting, with its emphasis on ethereal spirit and rhythm, represent two entirely distinct aesthetic ideals. Yet when Fu Wenjun merges them, there is no sense of dissonance. Through his unique approach, he interprets the concept of harmony in difference. This idea—harmony without uniformity—is a cornerstone of Chinese civilization, sustaining its vitality through the ages. In today’s world, it may also hold the key to reconciling cultural diversity with the tensions of civilizational conflict.
By Peng Feng, Professor at Peking University School of Arts and curator of the Chinese Pavilion at the 54th Biennale di Venezia.