傅文俊 Fu Wenjun

视觉艺术家 visual artist

《幻化》系列 夏布版 Illusory Metaphorphoses, grass cloth version
《幻化No.1》
Illusory Metaphorphoses No.1
《幻化No.2》
Illusory Metaphorphoses No.2
《幻化No.3》
Illusory Metaphorphoses No.3
《幻化No.4》
Illusory Metaphorphoses No.4
《幻化No.5》
Illusory Metaphorphoses No.5
《幻化No.6》
Illusory Metaphorphoses No.6
《幻化No.7》
Illusory Metaphorphoses No.7
《幻化No.8》
Illusory Metaphorphoses No.8

媒介：数绘摄影
尺寸：110 x 140 cm
创作年代：2009-2011
《幻化》将X光照射下人体的骨骼样式化处理后与大足石刻合为一处，在这件作品中我想探讨信仰，以及与信仰相关的生死、存在与虚幻、当下与未来。
将荣昌夏布作为摄影成像媒介，这是非物质文化当代性转换在艺术上的尝试。荣昌夏布在中国已经存在了上千年，现在它即将消失。无论是博物馆保护还是商业开发，荣昌夏布都不可能恢复器用性，它一直在远离大众。我希望以艺术的方式重新建构它与大众的关联，使它在我们周围延续。

Media: Digital Pictorial Photography
Size: 110 x 140 cm
Year of Creation: 2009-2011
In Illusory Metamorphoses, stylized X-ray images of the human skeleton are fused with the ancient Buddhist sculptures of the Dazu Rock Carvings. Through this composite imagery, I seek to explore themes of faith—intertwined with life and death, existence and illusion, the present and the future.
The work employs Rongchang grass cloth (a type of traditional Chinese ramie fabric) as the medium for photographic printing. This choice represents an attempt to translate intangible cultural heritage into a contemporary artistic language. Rongchang grass cloth, with a history of over a thousand years in China, now faces near extinction. Neither museum preservation nor commercial revival has succeeded in restoring its original functional value; it continues to drift away from everyday life. By embedding it within art, I hope to reconstruct a new relationship between this endangered material and the public—reviving its presence in our surroundings and allowing it to endure through a renewed form of expression.