《国宝》系列 National Treasure
《国宝·菩萨的躯干 公元5世纪巴基斯坦》
National Treasure, Torso of a Bodhisattva, AD 5th century, Pakistan
《国宝·恰门陀,邪恶的恐怖毁灭者 公元10-11世纪 印度》
National Treasure, Chamunda, the Horrific Destroyer of Evil, AD 10-11 century , India
《国宝·散财童子 明代 中国》
National Treasure, Pilgrim Sudhana (Shancai tongzi), Ming Dynasty, China
《国宝·天国仙女 公元11世纪 印度 》
National Treasure, Celestial Beauty (Surasundari), 11th century, India
《国宝·菩萨 中国南北朝北齐》
National Treasure, Bodhisattva, China Northern Qi Dynasty
《国宝·毗湿奴登基 公元8世纪后半叶-9世纪初 印度》
National Treasure, Enthroned Vishnu,AD second half of the 8th–early 9th century, India
《国宝·安坐的毗湿奴 8世纪后半叶-9世纪初 印度 》
National Treasure, Garuda (Vishnu’s Mount) Seated in Royal Ease, AD second half of the 8th–early 9th century India
《国宝·天堂毗湿奴 公元8世纪后半叶 印度》
National Treasure, Vaikuntha Vishnu, last quarter of the 8th century, India
《国宝·跳舞的象头神 公元十世纪 印度》
National Treasure, Dancing Ganesha, 10th century, India
《国宝·湿婆 公元10世纪 印度》
National Treasure, Shiva as Mahesha, AD 10th century, India
《国宝·冥想中的耆老教渡津者 公元11世纪前半叶 印度》
National Treasure, Jain Svetambara Tirthankara in Meditation, AD first half of the 11th century, India
《国宝·爱侣 公元13世纪 印度》
National Treasure, Loving Couple, AD 13th century, India
《国宝·女王死后的肖像如雪山女神 公元9世纪 印度尼西亚》
National Treasure, Posthumous Portrait of a Queen as Parvati, AD 9th century, Indonesia

媒介:数绘摄影
尺寸:80 x 100 cm
创作年代:2014
所谓“国宝”,不是抽象之遗迹,它是特定区域个体与历史连接之物,它激发出的是对自身历史在场的深切感受。这种“在场”和“场域”共同形成文化与心理,它们存在于现实而非想象之中。经由它们,映衬出的是民族自身文化的血脉。




Media: Digital Pictorial Photography
Size: 80 x 100 cm
Year of Creation: 2014
What we call a “national treasure” is not some abstract relic—it is an object that connects individuals from a specific region to their own history. It evokes a profound sense of presence within that historical continuum. This sense of “presence” and the “field” it inhabits together shape both culture and psychology. They exist in reality, not in the realm of imagination. Through them, the cultural lifeblood of a people is reflected and illuminated.