《信手拈来》系列 Pick at Random

我之所以将系列作品取名《信手拈来》，正是因为我创作的观念就是要在多元文化背景下做出跨文化实践。无论在画面的技法上，还是表达的形式上，抑或是绘画的主题元素与表达观念上，它可以是东方的也可以是非东方的；可以是当代的也可以是传统的；它可以是流行的也可以是通俗的；它可以是别人的也可以是自己的。问题的关键是审美认知的主体对它们具有怎样的认识与理解。在我看来，我们实在无须用一个文化模式掩盖另一个，一种形式代替另一种形式。多种文化的融合从外部看，可能是矛盾的，但从内部看，却是一个辩证性的表述。这一表述不会导致文化意义的丧失与混淆，相反会形成一个新的阐释与表达可能性。

The reason I titled the series Pick at Random lies in my core creative intention: to engage in cross-cultural practice within a multicultural context. Whether in terms of technique, expressive form, thematic elements, or conceptual meaning, the work can be Eastern or non-Eastern; contemporary or traditional; popular or vernacular; borrowed or original. The key lies in how the viewer—as the subject of aesthetic perception—understands and interprets these elements. In my view, there is no need for one cultural model to obscure another, or for one form to replace another. The blending of multiple cultures may appear contradictory on the surface, yet from within, it becomes a dialectical expression. Rather than leading to the loss or confusion of cultural meaning, such expression opens up new possibilities for interpretation and articulation.